Friday, August 7, 2020

MUSIC REVIEW 012 : Karl Blau - "Children of All Ages"

 

Karl Blau's markedly beautiful voice finally graces his first homemade collection of children's songs, "Children of All Ages". With brilliantly counterpointed arrangements and idyllic lyrics, the album is almost like a children's television network's entire schedule of theme songs the way it morphs from style to style and genre to genre in a clever non-disruptive way. 

"Six Mini-Ponies On an Island" opens the album with dense children's music reminiscent of Moondog with spiraling tropical melodies surrounded by free floating saxophone and many detailed hooks throughout. His lyrics are clever and paint a clear picture of six mini-ponies on an island of some sort.

"Spin Around" is almost like a child's introduction to dub pop, Karl's signature sound from some of my favorite records by him (Dance Positive, Beneath Waves).

"Stuffing with Stuff" is a funky, modernized Rugrats (tm) Rap with many clever samples  *(including, spoiler alert:: cats).

"Elephant in the Room" is a disco song that's actually about elephants..I think..?

"Cryin'" is a laid back sophistipop ballad with some very sad chord changes and some very sad lyrics and some very delicate keyboard sounds..He sings "I can find a way to feeeeeeeel better/I just might need to cry to get betttttttttter".

"Rainbow" is a simple pop song about the vastness of the weather system with a really cool break beat.

Karl is really on top of his game production wise for this album, exploring ideas dense enough to keep adult's attention but catchy and fun enough to entertain children. If you're looking for a fun album that let's you travel in your imagination to a warm and friendly place, this is the record for you. Karl Blau is a ray of sunshine and this of course is a get record for "Children of All Ages".

CHECK IT OUT HERE!!

https://klaps.bandcamp.com/album/children-of-all-ages


GOLDEN OLDIES 001

 

Saturday, August 1, 2020

MUSIC REVIEW 011 - Adrian Knight - Pleasure Center



I am exceptionally excited to hear a new Adrian Knight album in a time that seems to find new releases stagnating from quarantine ambivalence. From the get, Mr. Knight brings a denser direction to his notable harmonic language. With more sophistication than ever, the prolific sophistipop composer brings perhaps his heaviest synthesizer patches and most introspective lyrical content yet.

The second track "Pleasure Center" brings some amazing bass playing, deft songwriting, and really imaginative horn arrangements in a track that nearly evokes a "Boston Rag" ala Steely D. I'm eagerly anticipating the accompanying lyrics video so I can sing/sway along.

"Quarantined" is a real jazz-funk groove and was my favorite track on the album. Adrian Knight's chord changes fly where few other sophistipop musicians dare. So unpredictable are the harmonic twists and turns that I'm uncertain whether it would be appropriate to either laugh or either cry. 

"Captain's Log" is some straight break beat funk which finds Mr. Knight delivering some of his rawest bass lines to accompany an outstanding vocal performance! 

"Invisible Man" shows some real flash in the bass department with a catchy series of hooks throughout. There is a really fantastic synth solo in the outro.

"Lasertown" has some heavy grooves and some excellent woodwinds by David Lackner, head of Galtta Media.

"Drifter" finds Knight cooing smoothly over a synthesizer ballad.

"Waiting for a Ride", the album's closing track is a smooth trip down a street and back, which seems much less common in this day and age. 

Overall, I loved this album and I'm prepared for repeat listens. Its among the finest albums I've heard that have been released since the quarantine started and is a real envelope pusher in terms of modern pop in general


..AVAILABLE AUGUST 7, 2020..
....PRE-ORDER HERE!!....