Thursday, November 5, 2020

MUSIC REVIEW 015:: IE - Terry Riley's Keyboard Study No. 2

IE is a Minneapolis drone orchestra and super group. This is a live arrangement they made of a decadent Terry Riley drone piece. It features cascades atop cascades of notes where you can clearly hear sequences of overtones and percussive subdivisions building and sinking. This is a bold performance where magnetic precision meets an endearing level of human interplay. While it might sound like chaos to the novice, IE has a clear grasp on the complex piece. The dynamics, mixing, and the warm hum of the wall of sound itself are worth the price of admission. Definitely a great place to start with a great band, IE.






Saturday, October 31, 2020

RANDOS 006:: Happy Halloween!!!!!!!!!!

 

Sunday, October 25, 2020

MUSIC REVIEW 014:: Mar10 - THE NIGHT WITCHES

 


The Night Witches is an opera composed and performed by Mar10. Best spoken in his own words::

 " THE NIGHT WITCHES is the end result of a labor of love begun around 2010.
Originally, I conceived it as a total improvisation, following only the lyrics. Vocals and all instrumentation would be improvised. As Chairman of the Oxford Cultural Arts Commission (in Oxford, CT), I attempted to resurrect the Nine Mile Players theater group by using my play/musical as a springboard for actors, musicians, and dancers to tell this story. Unfortunately, life certainly gets in the way, and things fell apart. Not forgotten. Just on the back burner, always being tweeked. Until now. It is complete and it is dedicated to my Muse, Karen. Without her encouragement I would have cast this aside, years ago. Thank you, my forever love.❤
Covid has us all under it's thumb for now, but my isolation began over 2 years ago with a Lung cancer diagnosis and treatments.
With a compromised immune system, I locked myself down. This afforded many musical opportunities. In particular, live videos. I have over 230 to date. These spontaneous, looping jams kept my chops up and offered me song ideas for The Night Witches as a complete song cycle. It is in essence a love story. Since then I have completed my History based Musical, die Nachthaxen. It is live, start to finish, warts and all. I present it this way for documentations sake. Also, for a few other reasons.
Since my access to professional recording equipment is limited, I've had to work with my old Windows XP computer which barely runs my Sonar 7 recording program. Since I can't predict when it will give up the ghost, I felt a live performance of TNW will at least present a BLUEPRINT for my vision, which includes a small orchestra, choreography, acting, and 3 female leads! I can perform the whole piece on my own but I would dearly love to replace my croaky, unstable, (yet surprisingly powerful with a decent ear), voice, with the more dulcet tones of a female(s). Considering this was written about one female in particular, and it remains on the to do list in the post Covid world.
While reading the NY Times for a friend afflicted with Alzheimer's, I came across the obituary of this remarkable woman. Thus began my obsession.
Nadezhda Vasiliyevna Popova was born Dec. 17, 1921, in what is now Dolgoye, Ukraine. She planned to become a teacher or a doctor, until one day a plane landed near her home and she met the pilot.
“I had thought only gods could fly,” she said in an account published in the book “A Dance With Death: Soviet Airwomen in World War II,” by Anne Noggle. “It was amazing to me that a simple man could get in a plane and fly away.”
Ms. Popova joined a flying club and later graduated from an aviation school. When the war started, she was working as an instructor. She said that she decided to join the military after losing her brother in the war and after watching Germans abuse her townspeople.
“I saw the German aircraft flying along our roads filled with people who were leaving their homes, firing at them with their machine guns,” she said. “Seeing this gave me feelings inside that made me want to fight them.”
Over the course of the war, Ms. Popova said, she fought in Belorussia, Poland and Germany. In 1942, she was shot down in the North Caucasus. Retreating with the infantry, she met her future husband, Semyon Kharlamov, also a decorated pilot. They were married for many years until his death; together they had a son, who grew up to be a general in the Belarusian air force. A complete list of survivors could not be determined.
Minerva, an academic publication on women and the military, cited Soviet records indicating that the women’s regiments flew more than 30,000 combat sorties. Their ranks produced at least 30 Heroes of the Soviet Union — about a third of all women so honored — and at least three fighter aces. Decades after the war, Ms. Popova, who often was called Nadya, reflected on the perils she had endured. “At night sometimes, I look up into the dark sky, close my eyes and picture myself as a girl at the controls of my bomber,” she said, “and I think, ‘Nadya, how on earth did you do it'?" - Mar10

Considering it is one person performing everything live in real time (alongside minimally pre-programmed layers) the continuity of the story is not lost on the listener. Besides the clear storyline the album is highlighted with timbre driven guitar solos morphing alongside the melodies to the song. Mar10 is a really spectacular guitarist mind you so the morphing solos really accent the motifs and themes of the songs the way a good Pink Floyd album would. 

His drum programming, both sample wise and rhythmically is deft and clear. Perhaps the most memorable element of this record itself is Mar10's superbly powerful voice and clever lyrics. There is a great amount of awesome synth bass and some really refined looping tricks. Its hard to explain the catchiness of songs within a modern any modern opera but Mar10 tells the story with whimsical terms and memorable tunes. The album concludes with a beautiful cacophony of noises into the most beautiful song of the opera with Mar10 repeating "and quiet flows the don.." in harmony with himself. 

This is definitely a record for progressive rock fans but the songs have an appeal that would go well beyond that world. His guitar playing might really be the showstopper with a really fresh, dynamic style that sounds great on all his records. I think this is a great release for this time right now due to it being confidently upbeat and positive. The symbol of female aviators antagonizing Nazis is one that seems totally appropriate for this day and age. Kudos to Mar10 on his hard work to bring this modern classic to fruition.






Saturday, October 24, 2020

MUSIC REVIEW 013:: The Always Right Reverend Doktor Robert Are - DR JAZZ IN THE GROOVE

 


DR JAZZ IN THE GROOVE is a complex jazz album by composer and programmer The Always Right Reverend Doktor Robert Are and recorded by the Nine Unknown Men. Immediately, I was gripped by the fabric of compositional density and the maturity in the themes and arrangements. At moments it sounds like Mingus, others like Zappa. The songs have strong melodies and bold rhythmic decisions that lead to cascades of notes and whole moments that sound like extended runs. Elements of fusion permeate but this would probably be described compositionally as some sort of advanced style of "third-stream".

The bass programming may be amongst the most standout aspects of the record along with a timbre palette evocative of 80s or 90s era of the Residents sequenced to aggressively rapid yet humanistic instrumentation. There are elements you'd find in Stravinsky, Varèse, Noncarrow, and even television theme music.

 The sheer amount of detail that went into each moment of each track of this record is very impressive. The harmonic direction of each song is dense to the point where at times it sounds like Romantic Era classical music but with unpredictable certainty (specifically the track A Past Outside of Time). Another element I greatly appreciate is the diversity in style from track to track, if not moment to moment. There are a lot of stop on the dime twists and turns on this album. Some of the songs even sound like they'd be perfect for action scenes in a David Lynch film.

All and all, this was a great, great listen. The Always Right Reverend Doktor Robert Are is a  brilliant composer and this album is worth some re-listens.



Friday, August 7, 2020

MUSIC REVIEW 012 : Karl Blau - "Children of All Ages"

 

Karl Blau's markedly beautiful voice finally graces his first homemade collection of children's songs, "Children of All Ages". With brilliantly counterpointed arrangements and idyllic lyrics, the album is almost like a children's television network's entire schedule of theme songs the way it morphs from style to style and genre to genre in a clever non-disruptive way. 

"Six Mini-Ponies On an Island" opens the album with dense children's music reminiscent of Moondog with spiraling tropical melodies surrounded by free floating saxophone and many detailed hooks throughout. His lyrics are clever and paint a clear picture of six mini-ponies on an island of some sort.

"Spin Around" is almost like a child's introduction to dub pop, Karl's signature sound from some of my favorite records by him (Dance Positive, Beneath Waves).

"Stuffing with Stuff" is a funky, modernized Rugrats (tm) Rap with many clever samples  *(including, spoiler alert:: cats).

"Elephant in the Room" is a disco song that's actually about elephants..I think..?

"Cryin'" is a laid back sophistipop ballad with some very sad chord changes and some very sad lyrics and some very delicate keyboard sounds..He sings "I can find a way to feeeeeeeel better/I just might need to cry to get betttttttttter".

"Rainbow" is a simple pop song about the vastness of the weather system with a really cool break beat.

Karl is really on top of his game production wise for this album, exploring ideas dense enough to keep adult's attention but catchy and fun enough to entertain children. If you're looking for a fun album that let's you travel in your imagination to a warm and friendly place, this is the record for you. Karl Blau is a ray of sunshine and this of course is a get record for "Children of All Ages".

CHECK IT OUT HERE!!

https://klaps.bandcamp.com/album/children-of-all-ages


GOLDEN OLDIES 001

 

Saturday, August 1, 2020

MUSIC REVIEW 011 - Adrian Knight - Pleasure Center



I am exceptionally excited to hear a new Adrian Knight album in a time that seems to find new releases stagnating from quarantine ambivalence. From the get, Mr. Knight brings a denser direction to his notable harmonic language. With more sophistication than ever, the prolific sophistipop composer brings perhaps his heaviest synthesizer patches and most introspective lyrical content yet.

The second track "Pleasure Center" brings some amazing bass playing, deft songwriting, and really imaginative horn arrangements in a track that nearly evokes a "Boston Rag" ala Steely D. I'm eagerly anticipating the accompanying lyrics video so I can sing/sway along.

"Quarantined" is a real jazz-funk groove and was my favorite track on the album. Adrian Knight's chord changes fly where few other sophistipop musicians dare. So unpredictable are the harmonic twists and turns that I'm uncertain whether it would be appropriate to either laugh or either cry. 

"Captain's Log" is some straight break beat funk which finds Mr. Knight delivering some of his rawest bass lines to accompany an outstanding vocal performance! 

"Invisible Man" shows some real flash in the bass department with a catchy series of hooks throughout. There is a really fantastic synth solo in the outro.

"Lasertown" has some heavy grooves and some excellent woodwinds by David Lackner, head of Galtta Media.

"Drifter" finds Knight cooing smoothly over a synthesizer ballad.

"Waiting for a Ride", the album's closing track is a smooth trip down a street and back, which seems much less common in this day and age. 

Overall, I loved this album and I'm prepared for repeat listens. Its among the finest albums I've heard that have been released since the quarantine started and is a real envelope pusher in terms of modern pop in general


..AVAILABLE AUGUST 7, 2020..
....PRE-ORDER HERE!!....


Friday, May 15, 2020

VIRTUAL fun 004


Brilliantly patient man shows how 1985-1990 dance music was made with low memory Amiga sampler programs and early trackers!

Thursday, May 7, 2020

RANDOS 006


Still keeping up with this dude like this song came out yesterday. Proggy!!

Wednesday, May 6, 2020

VIRTUAL FUN 003


Man spends exceptional amount of time, intellect, and energy trying to reverse engineer the powerful Sega Saturn system from 1994!! His initial goal was to crack it to use the sound card as a tracker synthesizer!!


Sunday, May 3, 2020

Randos 005


Important podcast that everyone needs to hear!! <3

Friday, May 1, 2020