I swear I've actually never heard this entire record in my life. I bet I'm in for a treat here based on the fact that a third of the albums 12 tracks are hit singles I find myself very agreeable to! A big part of my fascination with Alanis is her appearance in "Radio Free Albermuth," a film adaption of the 2nd part of a final, unfinished Philip K. Dick trilogy of books.
"All I Really Want," the first track is a SUPERB opener with lots of weird Alanis Morisette melodies that sound surprisingly fresh. The production is buoyant and I'm guessing is reliant on electronic drums over drum loops. Alanis really wails in her performances with a voice ranging from crackly grumbles to sparkling highs!!
"You Oughta Know" is still really upsetting lyrically, a little bit..maybe? The song still sort of hits me when the big drum and guitar really kick in at the bridge and the whole melody to this song is superb and of course there is the badass part where she does the hiccup YOU!!.. I'm not sure who this song is about (Mr. Duplicity..I imagine..?) but its got quite a few barbs..I REALLY love the bass playing on this song (with which a little research revealed that it's the Red Hot Chill Pepper's Flea..). It's super funky and doesn't step on the rockiness of Jane's Addiction's guitarist Dave Navarro's shredding or the brightness of the vocals.
"One Hand in My Pocket" is my favorite song on this record. I love the drum production and vocal performance and synth bass and heroic sounding guitar. The lyrics are still very curious and I always sort of thought of this song as similar to "Where It's At" by Beck. "I've got one hand in my pocket, and the other's:
- giving a high five,
-flicking a cigarette,
-giving a peace sign
-playing a piano
-hailing a taxi cab
There are the three other singles (Ironic, Head Over Feet, You Learn) and some other tracks that are all pretty great, narrowly standing the test of time with still some pretty surprisingly fresh Alanis-brand melodies and chord changes. The lyrics to Ironic are still pretty poignantly silly. Isn't THAT ironic?
From some of the guys that brought you unbelievably endearing industrial group Flux Information Sciences (the "something to write home about" voice of singer Trtzn is definitely the voice on the record but it is difficult researching the band due to every search engine bringing up a million other things with "services" in the name when queried..) comes a song with the lyrics:
YOU! ME! WE!! KILLER BEES!! TAKE ME BACK TO THE CEMETERY, WHERE I'M BURIED, AT ONCE!!
This is pretty much heavy break beat pop with a splendid singer and lots of booty bass and heavy metal guitar samples, bridging the whole thing on industrial and thrash. The lyrics are concise and clever. Loveeeeeeeeeeee it!
There's never a bad time for a new Fiona Apple record and this album was apparently good enough to have it's release mentioned in the major news headlines. Three tracks in, I'm already enamored. I will finish writing this tomorrow!
Jamband Jzzzzzzzzzzzzzzzzzzzzzzzzz The next day..
This is so good. Soooooooooo good. Great songs with fantastic drum and bass with interesting counterpointed rhythm to Apple's magnetic voice, keyboard playing, and lyrics. I still need a few more listens to process this but this just totally "ruined my shit". The two songs that stood out to me for repeated listens is "For Her" and "Shameika" !! I give this album a twenty piece nugget and fries!!! LISTEN TO IT HERE!! NOW!!!!
The prolific bassist/songwriter/multi-instrumentalist/producer Dwayne "MonoNeon" Thomas first came to notice as being a Prince protege and the last bassist the purple maestro ever hired. Since then, he has not only released quite a few records combining Prince/80s electro Parliament Funkadelic elements with the Residents and other avante-garde pop permutations but has managed to join and play with several popular jambands and release some very interesting youtube videos.
The thing that always stands out in his songs are his fantastic yet bizarre melodies and unreal bass playing. I mean, he is not just good at bass, he is markedly tasteful. He's got a remarkably fun singing voice; evoking Sly Stone or George Clinton but unique in its own way.
"Do You Remember the Days in New York?" is a delightfully groovy head bobber with smooth synth and guitar interpolation with also delightful bass synth and a bridge that will knock your socks off!
"Wish Our Party Would've Last" is almost like a fantastic Prince rock ballad but with an overall strangeness that fit with these strange modern times. "Live, Learn, Bye, and Fly" shows off his tasteful yet technically gifted guitar playing with feverish Isley Brothers style funk riffs alongside his gnarly bass playing and fascinating drum programming. There is a really stirring synthesizer conclusion with some lovely counterpoint.
"The Sunken Place Instrumental" is almost like a Drexciya track but with fiery live bass alongside synth bass and a magnetic sounding drum groove. "Going Cold Turkey From Your Touch" is a proggy, bluesy pop-rock song with another world class bassline and some really funky guitar and bass drum work.
"The Price I Have To Pay For Not Loving You" is a straight up Isley Brother's style jam in the vein of "Voyage to Atlantis" with just about everything that could go right in a song!!
This album really sets a lot of musical standards for excellence. First of all, every instrument on Arc of a Diver is played by Steve Winwood (oftentimes known exclusively for his truly gnarly keyboard playing). Second of all, it is anchored by leading track and mega-hit "If You Take A Chance" with exceptional lyrics, melodies, rhythms, synthesizer & organ tones, and just about every quality associated with musicality; not to mention his classic raspy yet tonally clear voice. Third of all, this album serves as a predecessor to much of 80s sophistipop (including Winwood's own "Higher Love"). This album evokes Traffic but with a LOT of synthesizers.
Its really remarkable to think one guy did all this in a pre-digital sequencing age, considering these songs have lots of parts with a number of changes. Sometimes its even confusing to sit up and notice its all one guy who is that good at guitar, drums, synthesizer, bass, and programming; not to mention singing (with excellent harmonies and dual leads). A lot of his weirdness from the 60s and 70s music is combined here with smooth grooves, get ready for a lot of different synth patches.
My other favorite song on this album is "Spanish Dancer," a funky synth jam with impeccable synth bass and twinkling counterpoint, all anchored by an "Empty Pages" type vocal line. All and all, if you're looking for something mellow and synthy to crunch down on with hyper musical qualities and smooth drum & bass, check out Arc of a Diver by Steve Winwood!
WHILE YOU SEE A CHANCE: TAKE IT AND LISTEN TO THIS FANTASTIC ALBUM!! Link to playlist below::::